{"id":5135,"date":"2025-05-26T14:47:56","date_gmt":"2025-05-26T12:47:56","guid":{"rendered":"https:\/\/www.fondation-foujita.org\/?p=5135"},"modified":"2025-05-26T14:58:55","modified_gmt":"2025-05-26T12:58:55","slug":"foujita-et-michel-sima","status":"publish","type":"post","link":"https:\/\/www.fondation-foujita.org\/en\/foujita-et-michel-sima\/","title":{"rendered":"\u201cFoujita and Michel Sima: crossed glances in the intimacy of a studio\u201d."},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css=&#8221;.vc_custom_1621200023615{padding-bottom: 40px !important;}&#8221;][vc_column][vc_row_inner content_placement=&#8221;bottom&#8221; gap=&#8221;10&#8243;][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221; el_class=&#8221;titre_sympa&#8221;]<\/p>\n<h2 class=\"heading-7 droit\" style=\"text-align: right;\">&#8220;Foujita and Michel Sima:<br \/>\ncrossed glances in the intimacy of a studio&#8221;.<\/h2>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text css=&#8221;&#8221;]<strong>In the heart of post-war artistic Paris, two key figures of the \u00c9cole de Paris met and bonded: Foujita and Michel Sima, a sculptor-turned-photographer whose lens captured the soul of artists.<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][vc_column][vc_row_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1748246842809{padding-bottom: 20px !important;}&#8221; el_class=&#8221;titre_sympa&#8221;]<\/p>\n<h5><strong>A meeting in avant-garde circles<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]Michel Sima, whose real name was Michal Smajewski, was born on May 20, 1912 in Slonim, Poland (now in Belarus). When he arrived in Paris in the late 1920s, he quickly immersed himself in the intellectual and artistic effervescence of Montparnasse. He frequented the caf\u00e9s and studios, and forged ties with the major artists of the day: Picasso, Cocteau, Giacometti, Picabia, Desnos&#8230; and of course Foujita.  <\/p>\n<p>The visual archives testify to this relationship: several portraits of Foujita taken by Sima in the 1950s have come down to us, revealing a real complicity between photographer and model. Far from a staid pose, the images reveal a Foujita in direct contact with his works, in the intimacy of creation.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space][vc_single_image image=&#8221;5171&#8243; img_size=&#8221;large&#8221; css=&#8221;&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1748249087324{padding-bottom: 20px !important;}&#8221; el_class=&#8221;titre_sympa&#8221;]<\/p>\n<h5><strong>The art of capturing the invisible<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]Michel Sima was not a commissioned photographer. His approach was intimate, almost brotherly. In his studio, or in those of his friends, he captured not only faces, but also the atmosphere of a place, the aura of a moment.  <\/p>\n<p>In his portraits of Foujita, Sima captures the gentle tension between Japanese rigor and Parisian freedom. Through the lens, he captures not just an artist, but a being &#8211; sensitive, meticulous, deeply human.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;5158&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;left-to-right&#8221; css=&#8221;&#8221; el_class=&#8221;foujita_img_shadow_box&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;.vc_custom_1748244289207{padding-bottom: 20px !important;}&#8221; el_class=&#8221;titre_sympa&#8221;]<\/p>\n<h5><strong>A precious visual memory<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]One of the most tangible traces of this relationship is Michel Sima&#8217;s <em>21 visages d&#8217;artistes<\/em> (1959), with a preface by Jean Cocteau. Foujita appears among the major figures of modern art. This choice testifies to a relationship based on respect and friendship between the two artists. A drawing by Foujita illustrates the book&#8217;s flyleaf.[\/vc_column_text][vc_single_image image=&#8221;5192&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;5186&#8243; img_size=&#8221;medium&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;5188&#8243; img_size=&#8221;medium&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;5190&#8243; img_size=&#8221;medium&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;.vc_custom_1748244339765{padding-bottom: 20px !important;}&#8221; el_class=&#8221;titre_sympa&#8221;]<\/p>\n<h5><strong>A silent dialogue<\/strong><\/h5>\n<p>[\/vc_column_text][vc_column_text css=&#8221;&#8221;]Contemplating these portraits, we can imagine a silent exchange between two artists with singular backgrounds, both marked by exile, war and a love of art. They are not just documentation, but veritable fragments of human and artistic history. <\/p>\n<p>Many of Sima&#8217;s photographs of Foujita remain unknown today. Some will be unveiled at the <a href=\"https:\/\/www.artcurial.com\/ventes\/6259?search=sima\" target=\"_blank\" rel=\"noopener\">sale <em>Michel Sima, Dans l&#8217;atelier des ma\u00eetres<\/em>, at Artcurial on June 5, 2025 at 7pm<\/a>.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;5147&#8243; img_size=&#8221;medium&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;5149&#8243; img_size=&#8221;medium&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>In the heart of post-war artistic Paris, two key figures of the \u00c9cole de Paris met and bonded: Foujita and Michel Sima, a sculptor-turned-photographer whose lens captured the soul of artists.<\/p>\n","protected":false},"author":3,"featured_media":5148,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[78,77],"class_list":["post-5135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zoom-en","tag-foujita-en","tag-michel-sima-en","category-29","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cFoujita and Michel Sima: crossed glances in the intimacy of a studio\u201d.<\/title>\n<meta name=\"description\" content=\"In the heart of post-war Paris, two key figures of the \u00c9cole de Paris met and bonded: Foujita and Michel Sima.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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